Gerard Petrus Fieret

May 26 - August 28, 2016
  • Gerard P. Fieret, c.1965-1975. Gemeentemuseum Den Haag, Courtesy Estate of Gerard Petrus Fieret

  • Martin Argyroglo

  • Gerard P. Fieret, c.1965-1975. Gemeentemuseum Den Haag, Courtesy Estate of Gerard Petrus Fieret

  • Martin Argyroglo

  • Photogrammes extrait du film Gerard Fieret, fotograaf 1971

    Jacques Meijer
     

  • Martin Argyroglo

  • Gerard P. Fieret, 1965-1975. Gemeentemuseum Den Haag, Courtesy Estate of Gerard Petrus Fieret

  • Martin Argyroglo

  • Gerard P. Fieret, c.1965-1975. Gemeentemuseum Den Haag, Courtesy Estate of Gerard Petrus Fieret

“What I aim at with my photography is anarchy : in the context of a conservative society, my photographs are aggressive. Intense life, passion - a healthy passion for life - that is what they are about”  G. P. Fieret

LE BAL is presenting a monographic exhibition devoted to Dutch artist, poet and photographer Gerard P. Fieret (1924-2009), the first to take place outside Holland. His output included some of the strangest and most subversive works produced in Europe in the 1960s and 1970s. Fieret was self-taught and, between 1965, the year he acquired his first camera (a Praktiflex) and the end of the 1970s, he was an obsessional and insatiable photographer, taking pictures of anything and everything: women, legs, children, shop windows, street scenes, himself, more women – models, students, young mothers, dancers, strangers, as well as breasts, buttocks, legs, necks and other body parts.

Through his photographs, as through unsilvered mirrors, he achieved the paradox of revealing himself and asserting his presence in the world by hiding behind a camera.

He always took black and white photos. Blacks that were thick, sometimes blurred, but always luminous. They were often enlarged to his favourite 60 x 80 cm format, an unusual size for the time. Fieret was transgressive, unconventional and yet timeless; he would disfigure the image and distort reality in search of “something supernatural, a sense of the eternal”. The BAL exhibition presents 200 contemporary prints, rescued from extreme production conditions and a nomad existence between studios and shelters. They were obtained using chemicals and out-of-date photographic paper – sometimes dried and burnt with a candle, deliberately exposed to the wear and tear of everyday life in the form of dust, footprints, scratches, mouse droppings and pigeon shit. Most of them are compulsively signed and stamped by their author.

They bear the marks of constant abuse, while at the same time being the ultimate proof of a vanished fervency. 

 

To go along with the exhibition, LE BAL and Xavier Barral Éditions co-publish the book Gerard Petrus Fieret

In the Press

"I almost feel that the alchemies that corrode his images are the same alchemies that enable them towards the spiritual, mystical and transcendental."
"Now, thanks to LE BAL, it can be appreciated for what it is: the work of a great voice in Dutch and European photography."

Share

Related

Look out from the bedroom

Movie cycle around Gerard Petrus Fieret

June 7 - July 5, 2016 - 8 PM

CESSER D'ETRE UN

Performed sculpture : Laurent Goldring / Marika Rizzi

Wednesday June 8, / Thursday June 9, 2016 - 8 PM

Performed reading by Piyush Wadhera and Vasantha Yogananthan

Live and screening by Katrin Koenning and Sarker Protick

Friday July 1st, 2016 - 8 PM

The imaginary archives of Gerard Petrus Fieret

A proposition of Emmanuelle Fructus and Julie Barrau

Friday August 26 - Sunday August 28, 2016

Gerard Petrus Fieret

Gerard Petrus Fieret

Go further